No because when I watched it, I laughed at how dumb it looked on screen. I was genuinely in disbelief that it made it though the edit process.
But why did it look dumb? It's how someone would look in a vacuum, floating around. Did it play it fast and loose with physics, of course, in a film franchise that always has played it fast an loose with physics. Star Wars at its core is a space opera. Opera's often contain some weird **** in them that doesn't make sense except to character more than the plot.
Consider this synopsis of Callisto
Jupiter falls in love with the nymph Callisto, a votary of the chaste goddess Diana. On Mercury’s advice, Jupiter transforms himself into Diana, thereby achieving his purpose. Diana, meanwhile, falls in love with the shepherd Endymion and is angry when Callisto approaches her again, demanding her embraces. Juno, jealous of her husband’s affairs, calls on the Furies, who turn Callisto into a bear, a metamorphosis at once reversed by Jupiter, who now wins Callisto’s heart in truth, setting her finally among the stars.
Or this synopsis if The Valkyrie
Siegmund staggers exhausted into Hunding’s house and is entertained by the mysteriously attractive Sieglinde, Hunding’s wife. Hunding returns home and Siegmund tells him how his mother had been killed and his twin sister abducted and how he had wandered with his father, whom he calls Wolfe. After his father’s disappearance he had been unlucky and must call himself Wehwalt (Woeful). He tells of his last, unsuccessful battle, which, it seems, involved kinsmen of Hunding, for which the latter will seek revenge. Siegmund’s father had promised him a sword and this Sieglinde shows him, the weapon, embedded in an ash tree, where an old man, a visitor, had left it. The two recognise each other as brother and sister, and Siegmund draws the sword from the ash tree, calling it Nothung, sword of need. They embrace. In the second act Wotan tells Brünnhilde to ensure victory for Siegmund in the coming battle with Hunding. Fricka, wife of Wotan, favours Hunding and marriage, as she angrily makes clear, while Wotan sanctions the love of Siegmund and Sieglinde. Fricka demands the withdrawal of Wotan’s favour from Siegmund, a request that he unhappily grants. He explains to Brünnhilde his early search for power and love, Alberich’s forging of the ring, Wotan’s theft of it to pay for the building of Valhalla, and Erda’s prophecy of the end of the gods. Erda had borne him the Valkyries, warrior-maidens who have brought together heroes fallen in battle, to defend Valhalla. Wotan needs a mortal to take back the ring, which he, by oath, cannot do himself. It is said that when Alberich has a son, the reign of the gods will be over. Now he orders Brünnhilde to ensure Siegmund’s defeat, a task she accepts with sorrow. She meets Siegmund, with his sister, and tells him that he will die and go to Valhalla. At first, however, she protects him, in his battle with Hunding. The latter succeeds in killing Siegmund only after the intervention of Wotan, whose spear breaks Siegmund’s sword. Brünnhilde rides away with Sieglinde, while Wotan dismissively brings death to Hunding and sets out angrily in pursuit of the Valkyrie. In the third act the Valkyries ride back from battle, joined by Brünnhilde, with Sieglinde, who must live to bear Siegmund’s child and is now allowed away, before the arrival of Wotan. He condemns his favourite daughter to a rock, where she must lie senseless until roused by a mortal, who will be her husband. She begs that her husband may be the son of Sieglinde, who will be called Siegfried. Wotan leaves Brünnhilde, surrounded by protective fire to guard her as she sleeps her magic sleep.
Opera's tend to have some weird **** in it. Again we witnessed Luke survive a night in a planet's who's equator or -60C with only a dead tauntaun to provide warmth after the effects of hypothermia were starting to set in. Luke would have been dead long before Han even found him. That's just one clear example. There are countless others involving impossible survival that exist because it's a space Opera. The story is a vessel for the characters.
