nsacpi
Expects Yuge Games
Santa Fe, New Mexico
October, 2050
Nicholas,
It has been thirty years since your last words reached me, carried not by the post but by rumor, song, and memory. For years I cursed you, as Miriam cursed Moses for his Ethiopian wife, and I held myself wrapped tight in the cloak of judgment, stiff with bitterness. I thought to shame you with my silence, to bury you beneath the weight of my righteousness.
But time is a patient teacher, and life — oh, life has ways of prying open even the hardest of hearts. Somewhere along the years of widowhood without a widow’s right, of stern prayers that yielded no comfort, I laid aside the staff of a prophetess and took up the chalice of a pilgrim. I traveled. I tasted. I danced.
Yes, Nicholas — I danced. First timidly, then with abandon. Flamenco under the hot Spanish sun, tango in Buenos Aires with strangers who held me close without shame. I let music lead me where sermons never could. I tasted too: the sweetness of figs ripened on Sicilian hills, the fire of chilies in Oaxaca, the silken touch of sashimi in Tokyo. The body, I discovered, is not only a snare of sin but a vessel of wonder.
You called me once to leave the narrow path. I would not follow you then. Yet I have walked my own way to the valley of delights, and though it is not yours, it is mine. I no longer write with icy anger, but with a warmth that astonishes even me.
I do not ask forgiveness, nor do I grant it. What is done is done. But I will say this: you were not wrong to seek more than granola, more than silence, more than fear. If I was once the voice of judgment, let this letter be the voice of release.
Wherever you are, Nicholas, may the music still find you.
Clara
October, 2050
Nicholas,
It has been thirty years since your last words reached me, carried not by the post but by rumor, song, and memory. For years I cursed you, as Miriam cursed Moses for his Ethiopian wife, and I held myself wrapped tight in the cloak of judgment, stiff with bitterness. I thought to shame you with my silence, to bury you beneath the weight of my righteousness.
But time is a patient teacher, and life — oh, life has ways of prying open even the hardest of hearts. Somewhere along the years of widowhood without a widow’s right, of stern prayers that yielded no comfort, I laid aside the staff of a prophetess and took up the chalice of a pilgrim. I traveled. I tasted. I danced.
Yes, Nicholas — I danced. First timidly, then with abandon. Flamenco under the hot Spanish sun, tango in Buenos Aires with strangers who held me close without shame. I let music lead me where sermons never could. I tasted too: the sweetness of figs ripened on Sicilian hills, the fire of chilies in Oaxaca, the silken touch of sashimi in Tokyo. The body, I discovered, is not only a snare of sin but a vessel of wonder.
You called me once to leave the narrow path. I would not follow you then. Yet I have walked my own way to the valley of delights, and though it is not yours, it is mine. I no longer write with icy anger, but with a warmth that astonishes even me.
I do not ask forgiveness, nor do I grant it. What is done is done. But I will say this: you were not wrong to seek more than granola, more than silence, more than fear. If I was once the voice of judgment, let this letter be the voice of release.
Wherever you are, Nicholas, may the music still find you.
Clara